遙遙鄉(xiāng)愁

歲歲平安

作惡者

在她18歲生日那天，堅強的女孩喬尼吃了一個由她的阿姨根據(jù)一個神奇的家庭食譜烤的蛋糕，并經(jīng)歷了一個徹底的變形。隨著幾個同學(xué)失蹤，一個血腥的成長故事發(fā)生了。

阿凡達：火與燼

　　影片聚焦杰克·薩利與奈蒂莉一家的命運起伏，在前作的情感余波之上，深刻描繪一個家族在戰(zhàn)火中如何成長、并共同守護血脈相連的情感紐帶的歷程，從而將故事推向更具張力的全新維度。此外，潘多拉的全新領(lǐng)域也即將揭曉——觀眾將首次邂逅“風(fēng)之商人”這個崇尚和平的全新游牧民族，他們乘坐獨特的浮空生物飛船穿梭于各部落間，交易貨物、傳遞信息?！　《哳嵏残缘氖恰盎覡a族”的登場，這個以掠奪為生、性情兇猛的族群，與大地之母愛娃之間有著深刻的矛盾。他們的出現(xiàn)，將撕開潘多拉不為人知的黑暗傳說。當弒親之仇與部落恩怨交織，潘多拉的命運懸于一線——在這場跨文明的復(fù)仇之戰(zhàn)中，人類與納威族將如何抉擇，才能真正守護各自的家園與未來？

四川好女人

We don't see the woman on the train moving through Sichuan, just the trees, rivers, lakes and houses passing by the window, vanishing behind the blur of vegetation, segmented by the tunnels.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

納粹僵尸

A special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.