全裸監(jiān)禁
當(dāng)中野真由美醒來(lái)時(shí),他被囚禁了。綁匪是一個(gè)叫Yasumoto的人。還有建的哥哥,義雄。我哥是個(gè)變態(tài),共用一個(gè)克制的女人,同時(shí)和兩個(gè)人發(fā)生關(guān)系。我被蒙住了眼睛,我不知道我侵犯的是哪一個(gè)。在真由美之前入獄的一個(gè)叫京子的女人接受了這種行為。這是因?yàn)橐坏┬碌墨C物被捕獲,舊的獵物就會(huì)被釋放。為了做到這一點(diǎn),她別無(wú)選擇,只能繼續(xù)滿足哥哥的愿望。真由美的地獄般的日子開(kāi)始了。
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小前提
Sathya Sridharan,帕頓·阿什布洛克,達(dá)納·艾希布魯克像我這樣的愛(ài)情
廖子妤,陳家樂(lè),劉雅麗,楊淇,劉若寶,林芷沿二〇二五年的歐陸
埃斯特·通帕,安娜瑪麗亞·比魯斯卡,馬里烏斯·達(dá)米安,伊林卡·馬諾拉切,瓦娜·馬爾達(dá)雷,謝爾班·帕夫盧,阿德里安·希塔魯,加布里埃爾·斯帕休,阿多尼斯·坦察著牛仔褲的鐘馗
成奎安,葉蘊(yùn)儀,王小鳳,葉子楣414區(qū)
蓋·皮爾斯,崔維斯·費(fèi)米爾,約翰內(nèi)斯·豪克爾·約翰內(nèi)森,科林·薩蒙,奈德·丹內(nèi)利,瑪?shù)贍栠_(dá)·魯茨,喬納森·阿里斯,安東尼婭·坎貝爾-休斯,歐文·弗熱瑞,瑪吉·克羅寧,Jorin Cooke,Holly Demaine界障
艾伯特·伯尼,弗蘭克·莫斯利,考莉·埃爾南德斯同類推薦
有罪,AI如此宣判
芳根京子,臼田麻美,橋本淳, 井內(nèi)悠陽(yáng),小川冬晴,濱田信也,藤井直樹,荒井敦史,坂口涼太郎,兒島雄一,巖谷健司,岸本鲇佳,淺野和之,風(fēng)吹淳,國(guó)村隼新人法官高遠(yuǎn)寺圓(芳根京子飾)每日忙于庭審中的證人詢問(wèn)、審閱證據(jù)與鑒定報(bào)告、檢索判例以及撰寫判決書等工作。某日,圓被委以重任,負(fù)責(zé)測(cè)試性引入法院的AI系統(tǒng)“法神”。當(dāng)輸入過(guò)往審判數(shù)據(jù)后,“法神”瞬間生成的判決書與法官苦心撰寫的文書毫無(wú)二致,判決結(jié)果也完全一致。法官們?yōu)楣ぷ餍实娘w躍提升欣喜不已,唯獨(dú)圓對(duì)“法神”始終心存警惕。 圓與臨近退休的法官檜葉共同負(fù)責(zé)一宗18歲少年刺殺生父的案件。作為審判長(zhǎng)的檜葉在開(kāi)庭前將數(shù)據(jù)輸入“法神”進(jìn)行判決模擬,AI瞬間給出的判決是“死刑”。 對(duì)AI能力深感興趣的檜葉。對(duì)AI愈發(fā)警惕的圓。當(dāng)陪審員們也卷入其中時(shí),人們?cè)俣戎泵嫣綄ふ嫦嗟钠D難困境。究竟誰(shuí)能辨明真相?是AI?是人類?還是??? 這部社會(huì)派娛樂(lè)作品直面當(dāng)下以驚人速度滲透社會(huì)的AI技術(shù),深刻叩問(wèn)使用AI的人類應(yīng)有的姿態(tài)!
超越鼓丘
邁克爾·科瓦爾斯基,Morgan DeTogne,Daniel Titmuss,Emma Jessop樹葉已經(jīng)開(kāi)始變了,但喬納森·魯斯特教授對(duì)即將到來(lái)的學(xué)期仍然準(zhǔn)備不足。本周末,他正在為考古系的野外工作課程尋找合適的地點(diǎn)。在同行學(xué)者和雇工的幫助下,該團(tuán)隊(duì)在拂曉時(shí)分出發(fā)。這次旅行為喬納森提供了一個(gè)難得的機(jī)會(huì),讓他親自動(dòng)手,成功可能意味著出版,也可能意味著終身教職。當(dāng)一名助教神秘失蹤時(shí),探險(xiǎn)隊(duì)很快就脫軌了。很快,這群人發(fā)現(xiàn)自己處于現(xiàn)實(shí)和來(lái)世的交匯處,陷入了令人難忘的瘋狂之中。
捏造貝多芬
山田裕貴,古田新太,染谷將太,神尾楓珠,前田旺志郎,小澤征悅,生瀨勝久,小手伸也,野間口徹,遠(yuǎn)藤憲一,藤澤涼架,新原泰佑,前原瑞樹,堀井新太,坪倉(cāng)由幸,西田尚美,市川紗椰,安井順平,泉澤祐希,前野朋哉本片改編自同名小說(shuō)。貝多芬(古田新太 飾),眾人心中的孤高天才,原來(lái)竟是秘書一手捏造的“神話”?本片揭開(kāi)歷史迷霧,講述一個(gè)粗俗邋遢的真實(shí)貝多芬,如何在忠實(shí)秘書辛德勒(山田裕貴 飾)的筆下,被改寫成永垂不朽的圣人音樂(lè)家。
十月建造的房屋
Brandy Schaefer,Bobby Roe,Zack AndrewsBeneath the fake blood and cheap masks of countless haunted house attractions across the country, there are whispers of truly terrifying alternatives. Looking to find an authentic, blood-curdling good fright for Halloween, five friends set off on a road trip in an RV to track down these underground Haunts. Just when their search seems to reach a dead end, strange and disturbing things start happening and it becomes clear that the Haunt has come to them...
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster