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諾拉·葉莎耶,Alec Gaylord,Ken Volok,Rob Tisdale,Kelly Mis,David Air,Julie Meghan Brown,Gael Carrion,Jola Cora,Sandra Cruze,Rishi Das,Hollywood Lee DuPree,Catherine Farion,Giovanni Savoia Giò,Ryan Grindstaff旅途中的日子
沈恩敬,堤真一,河合優(yōu)實(shí),高田萬(wàn)作,佐野史郎,齊藤陽(yáng)一郎,松浦慎一郎,足立智充,梅舟惟永,柴田貴哉,中村祐太郎,貝拉·梅港之光
館博,尾上真秀,真榮田鄉(xiāng)敦,黑島結(jié)菜,齋藤工,瀧正則,一之瀨亙,山野仁,赤堀雅秋,市村正親,宇崎龍童,笹野高史,椎名桔平懸崖絕壁
佩麗冉卡·曹帕拉,卡爾·厄本,特穆拉·莫里森,伊斯梅爾·克魯斯·科爾多瓦,加里·比德爾,薩菲亞·奧克利-格林,大衛(wèi)·菲爾德,扎克·莫里斯,格雷格·哈頓,薩欽·喬伯,帕卡羅·姆澤貝,喬丹·穆尼,羅尼·詹姆斯·休斯,莎倫·布魯克斯,艾克·楚特,喬恩·奎斯蒂德,吉迪恩·姆澤姆貝,拉斯·加拉格爾,維丹滕·奈杜,內(nèi)斯特·盧卡斯終歸為塵
安吉拉·莫利納,阿爾佛萊德·卡斯特羅,莫妮卡·阿爾米拉爾,Patrícia Bargalló,Alván Prado,Manuela Biedermann,Emma Corbacho,Pol Garibaldi Gris,Nicolás Fuentes,Vito Pietroburgo,Irene Ta,Valeria Scheilen,Aleix Plademunt,Lissy Pernthaler,Silvan Luley,Lorena Nogal,Shay Partush,Oriol Genís,M邪惡護(hù)士2
蒼井空,Ricky Harun,Zidni Adam同類推薦
誤色
Matthew Gilliam,Lavinia Postolache,Peter Gantenbein,Tanya Thomas,William Frederick Knight,司馬優(yōu)現(xiàn)在是2003年,國(guó)際武器核查員泰德·凱勒(馬修·吉利亞姆)在美國(guó)入侵伊始就在伊拉克工作。在調(diào)查一個(gè)未被發(fā)現(xiàn)的武器藏匿處時(shí),他發(fā)現(xiàn)了一個(gè)可疑來(lái)源的生物制劑,他很快意識(shí)到這種生物制劑已經(jīng)危及他的生命。撞倒在地,他危險(xiǎn)的軌跡與美麗的國(guó)會(huì)援助伊蓮娜·波佩斯庫(kù)(拉維尼婭·波波拉切)相撞,后者發(fā)現(xiàn)自己被自己的危險(xiǎn)包圍著。他們聯(lián)合起來(lái),被迫質(zhì)疑一切,同時(shí)努力比那些希望他們沉默的人領(lǐng)先一步。
愿者安息
里法特·桑賈爾,Emrah Altintoprak,Cansu TürediCemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
喜羊羊與灰太狼之異國(guó)破曉
羊村守護(hù)者收到“光之大陸”的緊急求救,毅然踏上危機(jī)四伏的營(yíng)救之路,面對(duì)未知的陰謀與強(qiáng)敵。羊狼們是否能撥開迷霧重見光明,光之大陸的命運(yùn)又將何去何從……光明與黑暗的決戰(zhàn)一觸即發(fā)。
鬼鏡
基弗·薩瑟蘭,寶拉·巴頓,Cameron Boyce,Erica Gluck,艾米·斯馬特警探本?卡森(Kiefer Sutherland 基弗?薩瑟蘭 飾)因槍殺同事被迫從紐約警察局提前退休,他的婚姻也隨之破裂。落魄的本暫住在妹妹安琪(Amy Smart 飾)的公寓里,終日借酒澆愁。一段時(shí)間沉淪過后,本重抖精神,找到了一份保安的工作。他所供職的五月花購(gòu)物商場(chǎng)五年前曾被大火毀于一旦,令他倍感奇怪的是,在這座焦黑的建筑物中,那一面面鏡子卻格外明亮。 數(shù)日后,本在商場(chǎng)的鏡子上發(fā)現(xiàn)奇怪的手印,而次日亦在妹妹家的鏡子上見到恐怖的景象。接下來(lái)的日子里,恐怖事件接連發(fā)生……