劇情簡介
由蒼老師帶隊(duì)，講述3個(gè)日本女孩在韓國學(xué)習(xí)韓文的故事...
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太空異種2026
魏璐,林妍柔,柳揚(yáng),王銘,安澤豪,王勉,鄒瑋祺,孫競爭,朱智煌,劉靜怡未來世界，在一艘名為“蒼穹號”的飛船上，船長梁承天帶領(lǐng)著船員們經(jīng)常在星際之間從事采集礦物質(zhì)的買賣，以此來獲得巨大的經(jīng)濟(jì)利益。雖然他們在多次采集過程中偶爾會遇到危險(xiǎn)，但最終也都能安全返航。 直到這次，梁承天帶著船員們在銀河系中，意外找到一顆六千萬年前爆炸的超新星，他們在附近采集到了稀有的礦物質(zhì)，從而能獲得巨額利益。可因利益分配不均，各懷心事的船員們就此踏上返航之旅。 在返航途中“蒼穹號”意外接到了一組未知的求救訊號。他們成功救下了“創(chuàng)世紀(jì)號”的生物學(xué)家林修遠(yuǎn)和他的妻子Angel，而梁承天在救援的過程中也意外受傷。
洞穴客
John Abbott,諾亞·海瑟威,David Comfort,Michael Mancini在一個(gè)遙遠(yuǎn)的星球上，一艘墜毀的宇宙飛船上的后代受到了神秘力量的影響，這些力量使他們在短短8天內(nèi)衰老并死亡。他們還必須住在洞穴里以躲避夜間的嚴(yán)寒和白天的酷熱。一個(gè)小男孩決心要回到把他們帶到那里的那艘船上。但他將如何在剩下的短短時(shí)間內(nèi)完成這一切呢
圣母瑪利亞
安妮·海瑟薇,米凱拉·科爾,亨特·莎弗,小枝女孩,雅典娜·弗里澤爾,凱雅·基伯,杰西卡·布朗·芬德利,伊紹拉·巴貝-布朗,阿爾芭·巴普蒂斯塔,茜安·克利福德,帕里納斯·埃斯梅爾薩德,勞拉·米金,朱莉婭·斯托爾巴,丹尼·維塔勒傳奇流行巨星Mother Mary（安妮·海瑟薇 飾）為了以完美形象回歸舞臺，找上疏遠(yuǎn)多年的好友兼前造型師薩姆（米凱拉·科爾 飾），卻也掀開埋藏已久的傷疤。
布袋人
山姆·克拉弗林,安東尼婭·托馬斯,威廉·霍普,史蒂芬·克里,弗蘭基·科里奧,阿黛爾·萊昂斯,亨利·佩迪格魯,莎倫·D·克拉克,尼爾·林波,Jordan Gubian,Will Davis,Caréll Vincent Rhoden本片改編自民間傳說，幾個(gè)世紀(jì)以來，在不同的文化背景下，父母都會警告他們的孩子要小心傳說中的Bagman。Bagman會把無辜的孩子抓走，塞進(jìn)那骯臟腐爛的袋子里，再也沒法回到父母身邊。Patrick McKee小時(shí)候曾逃過此劫，但這給他的生活留下了永久的創(chuàng)傷?，F(xiàn)在，Bagman又回來了，威脅著他妻子Karina和兒子Jake的安全。
詭愛
辛芷蕾,成毅,于毅,葉熙祺,張哲瀚,何珮瑜,邢岷山著名電臺女主播蕭瀟雅（辛芷蕾 飾）在結(jié)婚前七天，因親眼目睹名作家未婚夫李明軒與前女友許嘉雯（何佩瑜 飾）偷情，蕭蕭雅忍受不了背叛出軌的傷痛而自殺，幸被搶救復(fù)生，男友李明軒卻墜樓身亡……是自殺還是他殺還沒有揭曉真相，李明軒的前女友許嘉雯卻又死于非命，李明軒的弟弟李明炎（張 哲瀚 飾）一直對哥哥的死覺得離奇，經(jīng)調(diào)查發(fā)現(xiàn)偷情背叛事件出自許嘉雯和薛威（于毅 飾）策劃的，在真相還沒有大白前，薛威也相離奇死亡……誰是幕后真兇？是陰陽兩隔的戀人的瘋狂復(fù)仇？是橫刀奪愛者的殺人滅口？還是宿命在愛情開始的一刻早已注定？
那個(gè)孩子是誰？
澀谷凪咲,早瀨憩,山時(shí)聰真,荒木飛羽,今森茉耶,蒼井旬,染谷將太,松尾諭,小原正子,槙田雄司擔(dān)任臨時(shí)教師的君島穗香(澀谷凪咲)，目擊了一個(gè)女學(xué)生從屋頂跳下的瞬間。當(dāng)她在暑假補(bǔ)習(xí)班上課時(shí)，又注意到有個(gè)不應(yīng)該存在的學(xué)生。不久后，穗香與補(bǔ)習(xí)班的三浦瞳(早瀨憩)、前川武(山時(shí)聰真)等學(xué)生們，得知了與那個(gè)女學(xué)生有關(guān)的令人震驚的事實(shí)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.