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劇情提要
;石云小小年紀(jì)就產(chǎn)生一個(gè)唯一的女兒;日本留學(xué)，我一個(gè)人孤獨(dú)的大雁爸爸。;有一天 ;一個(gè)爸爸偷偷回國(guó),;東樹(shù) 的男朋友的夜晚和我交往。;一 是日本的朋友;住和假期在家里一起住，;石云史 ;上總是視線。我東樹(shù)的旅行計(jì)劃，幾天不在家，我們和你們生活的碩勛是我們公司的突發(fā)行為抓瞎。然而，更貼近身體，我們公司的不定根和公司分享。我的眼睛正陸續(xù)停止不了繼續(xù)碩勛和我們的甜蜜戀人的幾天。
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菲律賓女孩
故事發(fā)生在馬尼拉一處精英高爾夫球場(chǎng)與鄉(xiāng)村俱樂(lè)部的封閉生態(tài)中：在俱樂(lè)部打工的“發(fā)球童”伊莎貝爾對(duì)俱樂(lè)部主席帕蘭卡醫(yī)生產(chǎn)生難以名狀的吸引，但當(dāng)她逐步拼湊出俱樂(lè)部光潔表象下的暴力真相時(shí)，她意識(shí)到這段“迷戀”其實(shí)牽連著更陰暗的共同過(guò)往。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.