性喜劇
別名：Sex Is Comedy 讓娜（安娜帕里約 Anne Parillaud 飾）是一位對(duì)待藝術(shù)極為挑剔、嚴(yán)厲的女導(dǎo)演，由于資金有限，她有必要全權(quán)掌控電影的每一步。因而，片場(chǎng)的讓娜宛如暴君通常，毫無(wú)情面地統(tǒng)治著整個(gè)劇組?？墒?，即使飛揚(yáng)跋扈如此，讓娜依然遇到史無(wú)前例的艱難。她正在拍照一部新片，其中有一場(chǎng)床戲卻一直不行滿足。男女主角（格雷戈?duì)柨屏謃Gr eacute;goire Colin 羅珊娜 middot;馬奎達(dá) Roxane Mesquida 飾），互相憎惡，彼此看不順眼，更別提表現(xiàn)出少許的糾纏愛意。對(duì)此讓娜無(wú)計(jì)可施，由于她已和男主角墜入愛河，男主角仗著這層聯(lián)系松懈自負(fù)，為所欲為，全然不懼讓娜的威嚴(yán)。 電影的拍照寸步難行，這令讓娜更加焦慮
即刻觀影
劇情賞析
編輯推薦
搶錢大作戰(zhàn)
吉奧瓦尼·瑞比西,范·迪塞爾,尼婭·朗,尼基·凱特,本·阿弗萊克,湯姆·艾弗瑞特·斯科特19歲的少年賽斯·戴維斯（吉奧瓦尼·瑞比西 Giovanni Ribisi飾）一心希望能盡快淘到自己的第一桶金，好讓父親另眼相看。他本打算靠玩非法紙牌起家，卻發(fā)現(xiàn)此路根本行不通，直到一家名為J.T.馬林經(jīng)紀(jì)公司的股票經(jīng)紀(jì)商找上了賽維斯?！ ≡谶@個(gè)號(hào)稱“鍋爐房”的核心辦公室里，多少個(gè)一夜間成為百萬(wàn)富翁的故事深深誘惑著賽維斯。很快，野心勃勃的賽維斯便以優(yōu)異的成績(jī)通過了股票經(jīng)濟(jì)人認(rèn)證考試，開始了他的“成功之路”。他把那些永遠(yuǎn)都沒有前途的股票賣給利欲熏心的投資者。賽維斯正以極危險(xiǎn)的速度追逐著金錢與利益，靠近著他所謂的功成名就，貪婪而不安。在紐約長(zhǎng)島這個(gè)瞬息萬(wàn)變的商業(yè)圈里，良心未泯的賽維斯終于開始面對(duì)良心的考驗(yàn)。
手機(jī)有鬼
漢娜·霍克斯特拉,Isis Cabolet,羅伯特·德·霍格,Alex Hendrickx,馬菲積斯·范德桑德·巴庫(kù)曾,Patrick Martens,Gigi Ravelli,Harry van Rijthoven,麗莎·斯普斯,揚(yáng)容·斯皮森伯格,馬克·范·伊文安娜在床上醒來，腦袋因?yàn)榍耙灰沟目駳g有些昏沉疼痛。她打開手機(jī)，發(fā)現(xiàn)新增一款名為“伊麗絲”(IRIS) 的神秘互動(dòng)APP；它將好姊妹出軌的證據(jù)偷拍下來，還將不雅照、私密影片和訊息散布至臉書，監(jiān)控她的生活，周遭朋友紛紛卷入，陷入恐慌?！ “材扔帽M一切辦法，欲將伊麗絲移除，卻引來致命殺機(jī)。不甘居于劣勢(shì)的她，決定正面迎擊…。
穿普拉達(dá)的女王2
梅麗爾·斯特里普,安妮·海瑟薇,艾米莉·布朗特,斯坦利·圖齊,賈斯汀·塞洛克斯,西蒙娜·阿什利,肯尼思·布拉納,劉玉玲,翠茜·索姆斯,凱萊布·希倫,B·J·諾瓦克,蒂波·費(fèi)德曼,沈雨田,帕特里克·布拉莫爾,蕾切爾·布魯姆,Lady Gaga,寶琳·查拉梅影片直面數(shù)字時(shí)代時(shí)尚行業(yè)的迭代浪潮，當(dāng)曾經(jīng)指引潮流的時(shí)尚圣經(jīng)《Runway》雜志遭遇前所未有的生存危機(jī)，“時(shí)尚女魔頭”米蘭達(dá)（梅麗爾·斯特里普 飾）與曾經(jīng)的“職場(chǎng)小白”安迪（安妮·海瑟薇 飾）再度聚首，時(shí)尚圈地位將經(jīng)歷大洗牌——昔日的助理艾米莉（艾米莉·布朗特 飾）權(quán)力進(jìn)階成長(zhǎng)為奢侈品集團(tuán)高管；安迪也成為獨(dú)當(dāng)一面的職場(chǎng)強(qiáng)者。從各自為戰(zhàn)到并肩破局，從過去“被支配”到“掌控話語(yǔ)權(quán)”，角色的身份轉(zhuǎn)變與立場(chǎng)碰撞，更映照出女性在職場(chǎng)成長(zhǎng)自我抉擇中的蛻變與力量，啟發(fā)人們重新去探尋關(guān)于夢(mèng)想、權(quán)力與自我的人生命題。
侏羅紀(jì)公園
山姆·尼爾,勞拉·鄧恩,杰夫·高布倫,理查德·阿滕伯勒,鮑勃·佩克,馬丁·費(fèi)雷羅,約瑟夫·梅澤羅,阿麗亞娜·理查茲,塞繆爾·杰克遜,黃榮亮,韋恩·奈特,杰拉爾德·R·莫倫,米蓋爾·桑多瓦爾哈蒙德（理查德?阿滕伯勒 Richard Attenborough 飾）立志要建立一個(gè)非同尋常的公園：恐龍將是這個(gè)公園的主角。他把眾多科學(xué)家收歸旗下，利用琥珀里面困住的遠(yuǎn)古蚊子體內(nèi)的血液，提取出恐龍的基因信息，利用這些信息培育繁殖恐龍。結(jié)果如愿以償，他把怒布拉島建立成了一個(gè)恐龍公園，堅(jiān)信可以從中賺取大錢。然而，科學(xué)家們則憂心忡忡?！ 〔恍业氖虑楣话l(fā)生了。雖然公園有電腦系統(tǒng)管理，但卻因?yàn)楸粏T工破壞而造成了無(wú)法挽救的失控：所有的恐龍?zhí)映隽丝刂茀^(qū)，人們紛紛逃竄卻逃不過恐龍的魔爪?？铸堊韵鄽垰?，人們亦死難無(wú)數(shù)，最后幸存者寥寥，只得四人逃出生天。怒布拉島上空彌漫著恐怖的氣息。
孩子們安好
卡米爾·科坦,莫妮亞·喬柯里,朱麗葉·阿曼尼特,Mano? Varvat,Nina Birman,紀(jì)堯姆·谷伊,瑪麗亞姆·阿赫迪歐,弗蘭基·瓦拉赫,Tania Dessources,Camille Lethuillier,馬克西姆·施邦古,Zoé Briau,Jean-Fran?ois Hoche,Pauline Roux,阿麗亞娜·納齊里,Zakariya Gouram,Anna-Marie Filippi,Zbigniew Jankowski,William Louis,Jean-René Stani多年以后，蘇珊和她的兩個(gè)孩子意外地出現(xiàn)在她姐姐珍妮的家中。起初看起來像是蘇珊在試探性地試圖重新與姐姐建立關(guān)系。但隨著晨光的出現(xiàn)，這種幻覺破滅了：蘇珊消失了……內(nèi)森·安布羅西奧尼的這部親密電影，描繪了一位被迫成為母親的女人，而她對(duì)自己的孩子幾乎一無(wú)所知。他那極簡(jiǎn)主義的敘事方式，卻充滿了深刻的共情，讓觀眾得以觀察這個(gè)新生家庭逐漸凝聚的緩慢過程，以及他們內(nèi)心的恐懼與猶豫，還有那毫無(wú)效率的國(guó)家機(jī)器的荒謬之處。這是一部法國(guó)電影，它反映了因必要性而產(chǎn)生的共同生活本質(zhì)的脆弱性，以及當(dāng)它源于愛時(shí)，它會(huì)變得多么強(qiáng)大。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.