年輕母親：最初

熒屏在發(fā)光

　　歐文（賈斯蒂斯·史密斯 Justice Smith 飾）和麥迪（布里蓋特·倫迪·佩恩 Brigette Lundy-Paine 飾）因一檔深夜超自然節(jié)目而結緣，然而這檔節(jié)目卻神秘地被取消了，在暗淡的電視燈光下，他們對現(xiàn)實的看法開始變得模糊不清。

狄仁杰之彼岸奇花

　　狄武周天授元年，嶺南潞州城司馬孔成業(yè)迷戀修道煉丹，傳聞找到了長生不老丹的藥方，只缺一味名叫彼岸花的奇草。傳言這是來自地獄的死亡之花，常年生長在墳冢幽谷之中，能致人產(chǎn)生幻覺，中幻覺者如妖邪附體般，發(fā)狂發(fā)癲，死狀凄慘?！　】壮蓸I(yè)發(fā)出懸賞，采到彼岸花者，賞百金。山民獵戶等紛紛進山尋找，連孔成業(yè)也帶人到處扒墳冢、探幽谷。忙活的孔成業(yè)突然慘死，死前發(fā)狂。連他的幾名參軍也死相極慘，都說孔成業(yè)采到了彼岸花，被妖邪附身殺死，鬧得滿城風雨。潞州刺史陸英杰上報朝廷，恰逢狄仁杰巡查嶺南諸州，女皇武則天命其前往潞州，全權調(diào)查此案.。

點到為止

“象形拳”傳人金毛（尹正 飾）在一次比賽中意外躺贏，憑借各種反向操作玩轉(zhuǎn)流量搖身一變成“黑紅頂流”！因此被資本一眼看中，“網(wǎng)紅假大師”金毛決定返鄉(xiāng)組建“表面功夫”團隊接著“忽悠”狂賺2個億！全村人戲精上身，在從心功夫小鎮(zhèn)熱鬧上演了一出精彩好戲！

戰(zhàn)國奇譚妖刀傳劇場版

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.