處女作家的初體驗(yàn)

　　本片講述大學(xué)剛畢業(yè)的神探巴克希，對抗一個(gè)想要破壞地球的邪惡天才的故事。主賓國影片《神探巴克?！酚捎《戎虡I(yè)電影導(dǎo)演迪巴卡爾·班納吉指導(dǎo)，融合懸疑、偵探、40年代等元素，塑造了一個(gè)印度“夏洛克·福爾摩斯”形象，有著強(qiáng)烈的人格魅力。影片有很強(qiáng)的故事性，動作場面極具想象力，從演員服裝、外景設(shè)計(jì)、汽車道具都做到了一絲不茍。有張力的懸疑劇情能讓觀眾們在2小時(shí)的觀影時(shí)間內(nèi)目不轉(zhuǎn)睛。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　殘?zhí)苼y世，瘟疫橫行，傳言妖女吳雙化為邪祟禍害人間。然而，吳雙的哥哥不良人吳令，從不相信自己善良的妹妹會是所謂妖女，他決心以縫尸還魂的秘術(shù)，復(fù)活被斬首的妹妹，在暗影涌動的瘟神廟中，設(shè)下詭局，審判真正的惡人，求一份清白與公道。　　影片根據(jù)短篇小說《古廟夜譚》改編。

從社交媒體差評到治療師的真相炸彈， 特雷弗·諾亞在這場搞笑、犀利又輕快的單口喜劇演出中將混亂變?yōu)橄矂　?/p>