媳婦的誘惑
噓!暗黑雪芙妹妹慘遭公公伸出狼爪侵犯,身為詩(shī)人作家的公公自從喪偶之后,內(nèi)心澎湃的情感和荷爾蒙完全轉(zhuǎn)移到美艷誘人媳婦的美麗胴體,白天身為丈夫的兒子上班之后,留下孤單一人無(wú)助脆弱誘惑人妻,單獨(dú)與心存邪念的公公共處一室,違背倫理道德的性犯罪慘劇,就無(wú)情的侵犯純真媳婦的貞節(jié)。 rdquo;>噓!暗黑雪芙妹妹慘遭公公伸出狼爪侵犯,身為詩(shī)人作家的公公自從喪偶之后,內(nèi)心澎湃的情感和荷爾蒙完全轉(zhuǎn)移到美艷誘人媳婦的美麗胴體,白天身為丈夫的兒子上班之后,留下孤單一人無(wú)助脆弱誘惑人妻,單獨(dú)與心存邪念的公公共處一室,違背倫理道德的性犯罪慘劇,就無(wú)情的侵犯純真媳婦的貞節(jié)。
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猩球崛起2:黎明之戰(zhàn)
安迪·瑟金斯,杰森·克拉克,加里·奧德曼,凱麗·拉塞爾,托比·凱貝爾,柯蒂·斯密特-麥菲,柯克·埃斯沃多,尼克·瑟斯頓,泰瑞·諾塔里,卡琳·考諾娃,朱迪·格雷爾,喬恩·阿茲,恩里克·穆西安諾,拉勒米·道克·肖,李·羅斯毛骨悚然撞鬼經(jīng) 2025夏季特別篇
小栗旬,上野樹(shù)里,岡田將生,佐藤健,綾瀨遙,石原里美,出口夏希大明嬪妃之攻心
宋洋,何杜娟,關(guān)慧卿,陳一諾怪獸與女孩
艾倫·德魯,Robert Paige,保羅·盧卡斯互幫互助
黑木華,中村蒼,藤間爽子,安藤玉惠,近藤華,白鳥(niǎo)玉季,吉岡睦雄,松本利夫,升毅,西田尚美,田口智朗,風(fēng)吹淳,草笛光子孽欲之殤
Karanvir Sharma,Mannara Chopra,Shraddha Das同類推薦
守株人
楊紫,駱達(dá)華,杜奕衡,劉筱筱,林雪,林妙可該片是心理懸疑風(fēng)格的影片。八年前,一場(chǎng)古董事件導(dǎo)致了相依為命的奶奶死于非命,正值妙齡的佳佳(楊紫 飾)又不得不面對(duì)父母離異的現(xiàn)實(shí)。家庭的破裂、死去奶奶的噩夢(mèng)纏繞,好友的突然癱瘓,而此刻令人毛骨悚然的文物販子伺機(jī)出動(dòng),各種不解之物正等待時(shí)機(jī)向她發(fā)起進(jìn)攻,直到她變成了守株人……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
變異雙頭蛇
陳堃,莫佳荻,韓陽(yáng),武雨晴,王黎林宇與三名女孩遭遇空難,不幸流落至一座荒無(wú)人煙的孤島,剛上岸便遭遇一頭兇猛的變異雙頭蛇襲擊。危急時(shí)刻,容貌靚麗、身手矯健的當(dāng)?shù)嘏林炑偶皶r(shí)出現(xiàn),憑借對(duì)島嶼環(huán)境的熟悉,成功引開(kāi)雙頭蛇,將四人救至一處隱蔽山洞。在艱難的孤島求生中,林宇作為唯一的男性主動(dòng)守護(hù)眾人,朝夕相處間,他與四名女孩漸生情愫,陷入了兩難的感情糾葛。好景不長(zhǎng),思瑤慘遭雙頭蛇伏擊吞噬,若琳也不幸遇害。悲痛之下,林宇、婉晴與頌雅聯(lián)手,借助頌雅祖輩流傳的經(jīng)驗(yàn),摸清毒蛇怕強(qiáng)光和特定植物汁液的弱點(diǎn),巧用簡(jiǎn)易工具設(shè)下陷阱,最終成功消滅雙頭蛇,林宇也找到情感的歸宿。
捆綁上天堂
倪妮,周游,廖凡一個(gè)筋疲力盡的女人(倪妮 飾)點(diǎn)燃了一個(gè)心如槁木的男人(周游 飾),他們隨欲而愛(ài),開(kāi)始了一段靈與肉、生與死緊緊捆綁的流亡之旅?! ∪剌氜D(zhuǎn),燃燒著,共入地獄?! ∷募玖鬓D(zhuǎn),愛(ài)爽了,再上天堂。
掏出你的手帕
熱拉爾·德帕迪約,卡洛?!诶?帕特里克·迪瓦爾,米歇爾·塞羅爾,埃萊奧諾雷·希爾特這是一位始終以兩性關(guān)系、婚姻道德為主題的電影作者,這部獲得奧斯卡最佳外語(yǔ)片的《掏出你的手帕》也不在例外。關(guān)于影片,布里耶是這樣解釋的:“表面上看這是一部怪誕的電影,但實(shí)際上這是一部徹底顛倒道德標(biāo)準(zhǔn)的片子,不過(guò)表現(xiàn)得比較委婉且具有魅力。如果仔細(xì)觀察就可以看出,所有的道德價(jià)值都被顛倒了,所有的道德傳統(tǒng)都被拋到了一邊。人物的思想狀態(tài)正處于一種極端混亂的時(shí)期,今天你也許還不會(huì)把妻子當(dāng)作禮物送給別人,但也許將來(lái)你就可以做到了?!?/p>