派對(duì)奇欲記
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuanAlma is a young woman who, after repeated sentimental failures, begins to find new ways of living eroticism. Alma discovers the practice of BDSM as a way of self-knowledge and to overcome the mediocrity of their relationships.
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幸存者2015
馬丁·麥凱恩,米婭·高斯,安德魯·辛普森,巴里·沃德,歐文·弗熱瑞,道格拉斯·羅素,凱瑞爾·肯尼迪,瑞安·麥克法蘭,邁克爾·奧·萊恩,夏蘭·弗林鬼馬智多星
林子祥,麥嘉,泰迪·羅賓,姚煒,曹達(dá)華,岑建勛,曾志偉恐怖高速
艾琳·迪茨,西蒙·飛利普斯,Shannon Dalonzo,約翰·D·希克曼,賈斯汀·戈登,James Politano,Jessica Gray,Briahn Auguillard,Robin Bookhout,Heather Rozzo致命玩笑
海耶斯·麥克阿瑟,杰西卡·麥克娜美,基爾·奧唐納零食小屋
加布·拉貝爾,David Costabile,米卡·阿卜杜拉雙山阻擊戰(zhàn)
洪衛(wèi),劉冠霖,葛佳佳,郭廣平,周惠林同類推薦
新萬圣節(jié)2
雪莉·穆恩·贊比,Chase Wright Vanek,絲柯·泰勒-考普頓,布拉德·道里夫,卡羅琳·威廉姆斯,馬爾科姆·麥克道威爾故事發(fā)生在位于伊利諾斯州的哈登菲爾德小鎮(zhèn)。臭名昭著的殺人狂邁克爾(泰勒·梅恩 Tyler Mane 飾)終于倒在了少女勞利(絲柯·泰勒-考普頓 Scout Taylor-Compton 飾)的槍下,然而之后他的尸體卻神秘的消失了,與此同時(shí),在醫(yī)院里,出現(xiàn)了一個(gè)身份詭異而又神秘的病人,又一場(chǎng)血腥的殺戮即將拉開序幕。 幸運(yùn)的勞利再一次的從邁克爾的屠刀下死里逃生,可是,巨大的陰影始終籠罩在她的周圍,因?yàn)樗溃~克爾一天不死,就總會(huì)再度回到她的身邊。一晃眼一年過去,萬圣節(jié)又要來了,與此同時(shí)將要舉辦的,是死難者的紀(jì)念會(huì)。勞利能夠感覺到,一雙熟悉的眼睛正在默默的注視著她。
禮拜天2025
布蘭卡·索羅亞,帕特里夏·洛佩斯·阿奈斯,米格爾·加爾塞斯,胡安·米努欣,瑪貝爾·里維拉,Nagore Aranburu,Irina Robledo Espinosa,Nora Careaga Iglesias,Neizan Alonso Hernández,Leire Zuazua,María Rodríguez Maribona Delgado,Guille Zani,Itziar Aizpuru,Bego Arístegui,Florinda Okomo,Noe Chiroque,Ainhoa Já這部電影向我們介紹了Ainara(由Blanca Soroa飾演),一個(gè)年輕、有天賦和理想主義的17歲女孩,他必須決定在大學(xué)學(xué)習(xí)哪門學(xué)科?;蛘咧辽龠@是她的家人希望她做的。然而,這個(gè)女孩透露了一個(gè)事實(shí),即她覺得自己越來越接近上帝,她準(zhǔn)備接受一個(gè)隱居修女的生活。這個(gè)重磅炸彈讓整個(gè)家庭都大吃一驚,造成了裂痕,對(duì)他們所有人來說都是一個(gè)試金石。
狼人2025
克里斯托弗·阿波特,朱莉婭·加納,瑪?shù)贍栠_(dá)·弗思,山姆·賈格,本·普倫德加斯特,扎克·錢德勒,本尼迪克·哈迪,米洛·考索恩,雷·沃納爾,羅伯·馬克布萊德布雷克(克里斯托弗·阿波特 Christopher Abbott 飾)是一名住在舊金山的丈夫和父親。當(dāng)他自己的父親失蹤并被判定死亡之后,他繼承了他位于俄勒岡州鄉(xiāng)下偏遠(yuǎn)地區(qū)的童年老家。當(dāng)他和他事業(yè)有成的女強(qiáng)人妻子夏莉特(朱莉婭·加納 Julia Garner 飾)的婚姻逐漸走向破裂,布雷克就說服夏莉特帶著他們年幼的女兒金潔(瑪?shù)贍栠_(dá)·弗 思 Matilda Firth 飾)一起離開城市,前往他的童年老家度假?! 〉钱?dāng)這一家人在深夜來到這座農(nóng)舍時(shí),他們突然遭到一只看不見的怪獸攻擊,為了逃離危險(xiǎn),他們就躲進(jìn)農(nóng)舍里面,并且將所有入口封住,而那只怪獸則在外面徘徊。當(dāng)他們驚懼地試圖度過漫漫長(zhǎng)夜時(shí),布雷克卻開始出現(xiàn)奇怪的舉動(dòng),而且逐漸變成一種不知名的怪物,于是夏莉特就被迫必須決定:到底是屋內(nèi)的恐怖更致命,還是外面的危險(xiǎn)更可怕?
姐妹2026
鄭知曉,李洙赫,車珠英改編自英國(guó)電影《愛麗絲的失蹤》 為了給弟弟的手術(shù)費(fèi)籌錢,海蘭與身為高利貸主的泰秀聯(lián)合策劃了一起綁架案,目標(biāo)就是海蘭同父異母的姐姐素珍。素珍之前并不知道自己還有個(gè)妹妹,當(dāng)身份關(guān)系揭曉,綁匪和人質(zhì)之間變得微妙起來……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.