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斷魂小丑3
杰森·帕特里克,丹尼爾·洛巴克,大衛(wèi)·霍華德·桑頓,勞倫·拉維拉,拜斯·約翰遜,布拉德利·斯泰克爾,克里斯·杰里科,薩曼莎·斯卡菲迪,瑪格麗特·安妮·佛羅倫斯,埃利奧特·富勒姆,亞歷克薩·布萊爾·羅伯遜,Antonella Rose,克里斯·?？怂?夏洛特·麥基,西耶娜·休伯特-羅斯,奇普·卡里爾,盧西亞娜·凡德特,Annie Lederman,Kellen Raffaelo,安妮·萊德曼在經(jīng)歷了小丑阿特的萬圣節(jié)大屠殺后，西耶娜和她的兄弟正在努力重建他們破碎的生活。隨著節(jié)日的臨近，他們試圖擁抱圣誕精神，把過去的恐怖拋在腦后。但就在他們以為自己安全的時候，小丑阿特回來了，決心把他們的節(jié)日歡樂變成一場新的噩夢。隨著阿特釋放出他扭曲的恐怖，節(jié)日很快就結(jié)束了，證明沒有一個節(jié)日是安全的。
大熊
亞當(dāng)·布羅迪,泰勒·萊伯恩,巴勃羅·施瑞博爾,托比·哈斯,喬伊·科恩,扎克里·奈頓,Heidi HeasletBIG BEAR is about Joe (Joey Kern) who reluctantly has his bachelor party even though his fiancé just dumped him for some Dude (recent Emmy nominated. Pablo Schreiber).
不實夢境
Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek ThompsonLucid Dreaming forces the dreamer's dreamworld to merge with his waking one. But at what cost to the dreamer's grasp on reality? Dreams are doorways, but what are they really for? And, if you feel you must know, beware the TRICKSTER.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
喚醒殺手
夏恩·韋斯特,萊絲莉·比伯,馬特·克拉文影片講述了哈維無意中發(fā)現(xiàn)了多年前連環(huán)殺手十二宮自拍的殺人錄像，他聯(lián)系好友決定報警并平分十萬美金的懸賞，不料當(dāng)夜殺手便將他們盯上，一場屠殺即將開始。
失控2018
李·佩斯,杰森·蘇戴奇斯,朱迪·格雷爾,寇瑞·斯托爾,艾琳·莫里亞蒂,賈斯汀·巴薩,邁克爾·庫立茲,塔拉·薩莫斯,伊多·戈德堡,岡本玉二,阿瑟·邁爾斯·法里卡,艾梅柏·里維拉,布賴恩·泰斯特,杰弗里·霍爾斯曼,奧馬爾·克魯茲·索托,Isabel Arraiza,Tyler Crumley,路易斯·O·羅薩多李·佩斯出演美國傳奇汽車公司德勞瑞恩的創(chuàng)始人——天才汽車設(shè)計師約翰·德勞瑞恩，影片設(shè)定在1980年代，德勞瑞恩創(chuàng)建還沒幾年，正在崛起，聚焦約翰和蘇戴奇斯飾演的Jim Hoffman的關(guān)系。Hoffman看似有趣迷人，其實他是一名前詐騙犯，現(xiàn)在為FBI工作，他來約翰這里當(dāng)臥底，想要控告其販毒。兩人建立的一段有趣的bromance也很快急轉(zhuǎn)直下，行差踏錯。