阿茲·阿科斯塔：激情時刻

中年詩人奧斯卡·雷斯特雷波沉迷于詩歌，卻始終未獲認可。他孤僻而失落，活成了“被遺忘的詩人”典型。一次偶然的邂逅，他結(jié)識了出身貧寒的少女尤拉迪，并試圖引導她走上創(chuàng)作之路。隨著兩人關(guān)系的深入，奧斯卡將她帶入詩人世界，卻也讓她面臨理想與現(xiàn)實的沖突。

本片是斯洛伐克導演卡塔琳娜·格拉瑪托娃的長片首作，帶有半自傳色彩。15歲的少年埃諾和祖母在烏特奇卡的村子里過暑假，他喜歡摩托，無心學業(yè)，每天和村子里的男孩們混在一起。埃諾十分崇拜在外工作的母親，內(nèi)心希望能和她一起生活，但隨著村子里流言四起，埃諾漸漸發(fā)現(xiàn)，母親并不如想象中那樣善良，而成長也總是伴隨著痛苦和掙扎。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　影片講述了萬香山腳有個黑頂子村，村里住著謝家三兄弟。某年冬天特別寒冷，謝老二違背了祖訓，偷偷進山采參，誰知回來后就神秘死去。村中人都認為謝老二是因為這是觸怒了山神，“山神降下了詛咒”才離奇死亡??